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Quatrefoil Sconce

US$345.00

Designed by Mara Lookabaugh.

In life and in the home, safety is felt in what remains honest. In my second collection, pieces are carefully held just shy of refinement, resolved only to a certain degree. In its unpolished articulation, the Quatrefoil Sconce harkens back to a bygone era and, as though carved by candlelight, features a somewhat crude femininity, a rawness that feels intimate. Hand-sculpted in stoneware with a stitched silk and cotton shade, the piece frames domestic comfort as something tactile, crafted, humble, and warm, resisting sleekness and perfection in favor of the visible trace of hand.

Stoneware is kiln-fired with a clear, matte glaze for durability.

— Size: 6x6” backplate, 6” projection, 10’ height with shade
— Weight: 2 lbs
— Materials: Stoneware, Silk & Cotton Shade, Aluminum Lamp Parts

Designed by Mara Lookabaugh.

In life and in the home, safety is felt in what remains honest. In my second collection, pieces are carefully held just shy of refinement, resolved only to a certain degree. In its unpolished articulation, the Quatrefoil Sconce harkens back to a bygone era and, as though carved by candlelight, features a somewhat crude femininity, a rawness that feels intimate. Hand-sculpted in stoneware with a stitched silk and cotton shade, the piece frames domestic comfort as something tactile, crafted, humble, and warm, resisting sleekness and perfection in favor of the visible trace of hand.

Stoneware is kiln-fired with a clear, matte glaze for durability.

— Size: 6x6” backplate, 6” projection, 10’ height with shade
— Weight: 2 lbs
— Materials: Stoneware, Silk & Cotton Shade, Aluminum Lamp Parts

How does your work evoke a sense of safety, comfort, belonging, or protection within the home?

VIEW SAFE & SOUND
“In life and in the home, safety is felt in what remains honest. In my second collection, pieces are carefully held just shy of refinement, resolved only to a certain degree. In its unpolished articulation, the Quatrefoil Sconce harkens back to a bygone era and, as though carved by candlelight, features a somewhat crude femininity, a rawness that feels intimate. Hand-sculpted in stoneware with a stitched silk and cotton shade, the piece frames domestic comfort as something tactile, crafted, humble, and warm, resisting sleekness and perfection in favor of the visible trace of hand.”
— Mara Lookabaugh